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Radiocarbono presenta: El show de dj Antonio I (podcast 1)

23 September, 2013 in news, programs, works

Radiocarbono es un espacio que dedica el Carbonoproyecto¬† al arte de radio y difusi√≥n de m√ļsicas que forman parte del universo sonoro que nos ha influenciado en nuestros lugares. La historia previa al inicio del CP como tal tiene que ver en gran medida con el mundo de la radio. Radio experimental, autodidacta, artesanal, transmitiendo en vivo desde la BDC 107, una pionera FM local de Santa Rosa en La Pampa, entre 1989 y ¬†1997. Han sido muchos a√Īos sin retornar a la radio fundamentalmente porque el arte de radio que nos interesa lleva demasiado trabajo y no hay posibilidades locales de financiaci√≥n. No obstante esto es una pasi√≥n que dificilmente nos abandone en esta vida, y ahora, gracias a las ventajas de la web y al sistema de podcasting, podemos poner en marcha una idea que ven√≠a produciendo algunos eventos a cuentagotas. ¬† En los meses subsiguientes se van a ir publicando una serie de podasts con diversos contenidos, ¬†que est√°n libres para retransmitir ¬†o difundir por quien quiera.

Empezamos con El show de dj Antonio I , donde se utilizan las posibilidades de las voces robot gratuitas que ofrece la web, a menudo criticadas por su falta de expresividad. Sin embargo la idea de este show es precisamente jugar con esas limitaciones. Después de todo nada nos tranquilizaría menos que robots con emociones humanas, o lo que es peor, dirigiendo el negocio omnipresente de manipular nuestras emociones. Hasta ahora son solo máquinas que dependen de nosotros para programarlas, es decir que los diferentes resultados que logremos manipulando sus posibilidades, son nada más y nada menos que acciones y voluntad humanas.

¬†”El Show de DJ Antonio I”
Un programa de radio a trav√©s de robots virtuales, presenta m√ļsicas del amplio espectro de intereses en torno al Carbonoproyecto, en La Pampa, Argentina, con informaciones dudosas y exclusivas de la surrealidad pampeana (donde el mundo lleg√≥ a su fin y renaci√≥ varias veces) , m√°s comentarios inclasificables.

“El Show de DJ Antonio I”¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† A radio program via virtual robots, presents music from the broad spectrum of interests around Carbonoproyecto, in La Pampa, Argentina, with exclusive and questionable information from Pampean surreality (where the world came to its end and was reborn several times), plus unclassifiable comments. (Fabi√°n Racca)

Kunstradio-Radiokunst 11 August 2013: IberWave ‚Äď 5

10 August, 2013 in programs

IberWave ‚Äď A series of programs for Kunstradio devoted to Iberoamerican Radio Art
Curated by José Iges

Kunstradio-Radiokunst: Sunday, 11-8-2013, 23:03 h. (CET) ORF 1

IberWave ‚Äď 5: Convergences in the Electronic Space

1. Several Authors, AR/BR/ECU: Quadra V3, 2013,¬†12’50″
2. Victor M. Rivas D√°valos (MX): Interminable espiral del abandono (Endless spiral of abandonment) 8’20″
3. Rodrigo Sigal (MX):¬† Boredom of familiarity, 2004, 11′
4. Lilian Zaremba (BR): Three short pieces, 2010-2013, 5′
‚ó¶ Oculus radio
‚ó¶ Radio rasgo de luz (Radio cleft of light)
‚ó¶ Resson√Ęncias Saroldi (Saroldi Resonances)
5. Several Authors, AR/ES/POR/BR/COL/CU: Apeiron (frg.) 2011, 12′

World Radio Day 2013

13 January, 2013 in Uncategorized

El mi√©rcoles 13 de febrero de 2013 es la fecha proclamada por la UNESCO para celebrar la Radio. La plataforma web lanzada por el Comit√© Internacional del D√≠a Mundial de la Radio organiza intercambios de c√°psulas sonoras (m√°ximo 1 minuto de duraci√≥n) asegurando la promoci√≥n de este medio.¬† Todo el mundo puede participar produciendo y enviando sus mensajes y audios, sea cual sea vuestra relaci√≥n con el mundo de la radio (radio p√ļblica, privada, asociativa o comunitaria, productor independiente, oyente, amateur….).

Ya pueden escucharse algunas c√°psulas como Un mundo por escuchar, cortes de programas radiof√≥nicos desde 1925 hasta nuestros d√≠as. Un viaje a trav√©s de la Historia de la Radio en Espa√Īa en 60 segundos, producido por TEA FM.

 

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Deambulations urbaines РEmission 1 du 5 /10/2011: Le Métro

1 December, 2011 in programs

Deambulations urbaines: Le Métro

“D√©ambulations urbaines” est une √©mission consacr√©e √† la cr√©ation sonore contemporaine sur le th√®me des d√©placements dans la ville, anim√©e par Claire Sauvaget. Cette premi√®re √©mission a √©t√© diffus√©e le 5 octobre 2011 sur Campus FM de 10h √† 10h30 √† Toulouse. Les cr√©ations sonores pr√©sent√©s sont sur le th√®me du m√©tro et ont √©t√© r√©alis√©es en 2011, elles sont in√©dites.

Artistes : Damien Berouthy, Elisa Legrand, Alexia Tailleur, et Claire Sauvaget
Les créations :
- Micro fable dans le métro ( 2011, Texte et montage de Claire Sauvaget, Voix de Damien Berouthy, Elisa Legrand, Alexia Tailleur, et Claire Sauvaget )
- Entre deux stations ( 2011, texte, voix et montage : Claire Sauvaget )
- Accompagne moi ce matin ( 2008, Texte, voix et montage : Claire Sauvaget)

Les deux premi√®res cr√©ations sont des extraits d’un travail collectif lors d’un atelier radiophonique dirig√©e par Claire Sauvaget et Philippe Avoustin, pour Radio-Radio, une radio associative Toulousaine. Ce projet collectif en cours de finition, sera diffus√© sur les ondes de Radio-Radio, 106.8 fm √† Toulouse, pour l’√©mission de “La petite boutique fantasque” de Philippe Avoustin.
La dernière création sonore est une des premières créations sonores de Claire Sauvaget, réalisée en 2008.

“Deambulations urbaines” (“strolling through town”) is a radio show about contemporary sound artwork, on the theme of travelling experience through town, hosted by Claire Sauvaget. This first radio show was broadcasted on campus Fm at Toulouse (FRANCE), the 5 october 2011, at 10 am to 10:30 am. The sound creations presented are on the theme of metro and were created in 2011, they are released for the first time here.

Artists : Damien Berouthy, Elisa Legrand, Alexia Tailleur, and Claire Sauvaget

Creations :
- Micro fable dans le métro ( 2011, Text and montage by Claire Sauvaget, Voices of Damien Berouthy, Elisa Legrand, Alexia Tailleur, and Claire Sauvaget )
- Entre deux stations ( 2011, text, voice and montage : Claire Sauvaget )
- Accompagne moi ce matin ( 2008, Text, voice and montage : Claire Sauvaget)

The two first creations are extracted from a collective work done during a radio workshop directed by Claire Sauvaget and Philippe Avoustin for Radio-Radio, a local radio at Toulouse. This collective work in progress will be broadcasted on the radio show “La petite boutique fantasque” of Philippe Avoustin, on Radio-Radio, 106.8 fm at Toulouse.

The last creation presented is the first sound artwork that Claire Sauvaget did in 2008.

Gregory Whitehead . Ubuweb Radio Radio

17 August, 2011 in programs

Gregory Whitehead has created remarkable sound for radio, the stage and the gallery for over twenty years. His more than one-hundred radio plays, essays and performances notably include Dead Letters, Pressures of the Unspeakable (winner of a Prix Italia) and Shake Rattle Roll (winner of a Prix Futura). He has written extensively on the unique qualities of “radio art” and co-edited the seminal radio criticism anthology Wireless Imagination.

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Program 1: Gregory Whitehead (MP3)

Duration: 45 minutes

http://ubu.com

Piers Plowright

18 June, 2011 in programs

Piers Plowright worked for thirty years as a BBC producer of dramas, documentaries and innovative features before setting out as an independent producer. During this time his elegant and hybridized programs have won several SONY Awards and three of radio’s most significant award the Prix Italia. On Radio Radio he talks about the evolution and the future of the medium and plays samples of his work from throughout his career.

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http://ubu.com

Radio Horizontal (Horizontal Radio): participaci√≥n desde Espa√Īa

5 June, 2011 in programs

Título / Title: Radio Horizontal (Horizontal Radio)

Duraci√≥n/Duration: 1h. 10‚Äô25‚ÄĚ
‚Ä®A√Īo / Year: 1995

Intérpretes / Players:
José Iges, dirección y presentación
Score Crackers, live electronic: Belma Martín, voz. Wade Matthews, saxos. Pedro López y Markus Breuss, electrónica.

Observaciones / Remarks: Transmisi√≥n directa desde la Sala Manuel de Falla de la SGAE (Madrid) de la participaci√≥n espa√Īola en ‚ÄúHorizontal Radio‚ÄĚ, proyecto conjunto de Ars Acustica / UER. Emitido el 22-6-95

Contenidos / Contents:

José Luis Carles & Isabel López Barrio: Latidos
Score Crackers (live electronic): Expiación, J.J. y Desmontaje
Eduardo Polonio: U-Session
Concha Jerez-José Iges: El silbido del Caballo de Hierro… (2ª parte)
Juan A. Lleó: E-Mailgrations
J. Manuel Berenguer: Citas discretas y emergentes
E. P√©rez Maseda: Take me away ‚Äďpostludio-
Zulema de la Cruz: Collage.

Horizontal Radio info in Kunstradio

Christof Migone in Radio Radio

2 May, 2011 in programs

Christof Migone is a composer, performer and radio artist who heads the Centre for Radiotelecommunication Contortions (CRTC) where the voice of his radio body hems, haws, slurps, clicks, breaths, contorts, cuts, modulates and masticates. His CDs include South Winds, Undo and Radio Folie/Culture. On Radio Radio he plays selections from his other CDs Hole in the Head, Vex and The Death of Analogies.

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Cris Cheek. Ubu Web Radio

25 April, 2011 in programs

Cris Cheek is a sound poet, performer, curator and SONY Award winner. He has collaborated on the Slant series of CDs and has created soundtracks (or languagetracks) for choreographers such as Michael Clarke, Kirstie Simpson, Miranda Tufnell, Lisa Nelson, Patricia Bardi, Mary Prestidge, Sue MacLennan and Julyen Hamilton. In his Radio Radio program cheek discusses “performance writing” and plays/performs “Public Announcement,” “How Can this Hum Be Human” and other pieces.

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http://www.soton.ac.uk/~bepc/poets/cheek.htm

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JENNIFER AND KEVIN MCCOY. Ubu Web Radio

15 April, 2011 in programs

Jennifer & Kevin McCoy are Brooklyn-based artists who cycle, repeat and morph pop-culture tropes and images. Their series of microradio installations conflate gallery patrons with pirate radio listeners while ironically tweaking the language of novels like Frankenstein, Alice in Wonderland and the corporate-promo-speak of the web. In New York City their work has been exhibited at The Metropolitan Museum of Art, P.S.1, Postmasters Gallery, The New Museum and other venues.

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