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Las obras radiofónicas de Juan Muñoz (I): Building for Music

9 enero, 2012 in works

Radio Web MACBA-Las obras radiofónicas de Juan Muñoz (I): Building for Music

La primera de esta serie es “Building for Music”, y es el resultado de una colaboración con el compositor Alberto Iglesias quien compartirá intereses con Juan Muñoz con un afán de búsqueda constante, aportándole conocimientos y soluciones que van más allá de la composición musical. “Building for Music” es la respuesta de Muñoz a la invitación de participar en “Sonsbeek 93″ (Arnhem, Países Bajos), una exposición de arte en el parque y la ciudad holandesa tristemente conocida por los episodios bélicos que tuvieron lugar allí a finales de la Segunda Guerra Mundial. Desde el principio se concibió como una emisión radiofónica inspirada en dos tipos de programa: las emisiones de textos literarios que han abundado en ciertas radios públicas europeas, por una parte, y la emisión de música contemporánea, por otra.

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Show 343: Cabaret of Complexity, Radio Zero

24 octubre, 2011 in Sin categoría

Last 21st October 2011, radio meet cars meet musicians in the garage bellow Maus Habitos, Future Places Festival HQ in Porto, Portugal. Two radio stations, Radio Futura 102.1 MHz and Radio Manobras 91.5MHz provided their frequencies to carry music and chaos into six audio tuned automobiles from the Portuguese xtremetuning.org community. Peter Principle composed a loose composition, grouping cars, musicians on frequency, garage sounds and more musicias. The complex setup worked into two floors of music, performance and radio, where out of sight musicians where channelled into these powerful, personalized, sound system on wheels.

Performance for 2 radio stations, six cars, one composer, and an innumerable number of musicians.

Toward a Definition of Radio Art by Robert Adrian X

16 febrero, 2011 in articles

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TOWARD A DEFINITION OF RADIO ART

Radio art is the use of radio as a medium for art

Radio happens in the place it is heard and not in the production studio.

Sound quality is secondary to conceptual originality.

Radio is almost always heard combined with other sounds – domestic, traffic, tv, phone calls, playing children etc.

Radio art is not sound art – nor is it music. Radio art is radio.

Sound art and music are not radio art just because they are broadcast on the radio.

Radio space is all the places where radio is heard.

Radio art is composed of sound objects experienced in radio space.

The radio of every listener determines the sound quality of a radio work.

Each listener hears their own final version of a work for radio combined with the ambient sound of their own space.

The radio artist knows that there is no way to control the experience of a radio work.

Radio art is not a combination of radio and art. Radio art is radio by artists.

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