“Interminable espiral del abandono”
Obscuro “paisaje sonoro” de una pequeño departamento. Los sonidos depresivos que emite de manera intermitente una soledad que se va diluyendo.

“Endless spiral of abandonment”

Dark soundscape of a small apartment. Depressive sounds intermittently emitting a loneliness that is diluted.

Gonzalo Biffarella radio program called “Sounds and other stuff” addressing the work “Sounds to cause” Berenguer-Gomez proposed a line of programs devoted to exploring the complex map of sound art and experimental music from different points of view.

In this series we take the vast musical knowledge of the artists and curators involved in RWM to create a series of “interruptions” Curatorial programming.

With the format of a mixed music on demand, our usual producers have carte blanche to develop a strictly musical journey with a single initial parameter: the thread of your mix is original and unique.

For this new episode José Manuel Berenguer and Carlos Gomez fifteen times were selected among the 300 gigabytes of acoustic information contained in multiple campaigns Sounds in Cause Project, dedicated to collecting field recordings in environments irreversible process of change based on economic growth .

Las siguientes obras son las mezclas realizadas hasta el momento dentro del proyecto RESONOSER. Para más información visitar

http://resonoser.tk

En Ibero 90.9 el radioasta mexicano Agustín Peña, quien compartirá el espacio con Hernán Risso Patrón, radioasta y miembro fundador del Laboratorio Experimental de Arte Radiofónico de Argentina.

Interferencia es el nombre de la obra propuesta por Hernán Risso. Este trabajo gira en torno al concepto de interferencia como obstáculo para el desarrollo normal de un proceso o una acción. Los seres humanos somos la interferencia en el desarrollo armónico del espacio y el tiempo.

In Ibero 90.9 the Mexican radioartist Agustín Peña has shared the space with Hernán Risso Patrón, radioartist and a founding member of the Experimental Laboratory of Radio Art LEAR) of Argentina.

Interference is the name of the work proposed by Hernán Risso Patrón. This work is around the concept of interference as an obstacle to the normal development of a process or an action. Human beings are interference in the harmonious development of the space and time.

En UAM Radio contaremos con la propuesta sonora de Mauricio Prieto Muriel, artista sonoro e integrante del colectivo “Radiolaboratorio”, de Colombia. La obra que presenta Mauricio Prieto se basa en voces en lengua palenquera, tambores y paisajes sonoros de San Basilio de Palenque en Colombia; primer pueblo de esclavos libres en sur América. Estos sonidos se mezclarán con claxons de coches, sonidos de gimnasio y vendedores ambulantes, transformando así el registro sonoro en una nueva manera de ver un sonido.

UAM radio will have the sound proposal by Mauricio Prieto Muriel, sound artist and member of the collective “Radiolaboratorio”, of Colombia. The work presented by Mauricio Prieto is based on voices in palenquera language, drums and soundscapes of San Basilio de Palenque, Colombia; first people of slaves free in South America. These sounds are mixed with claxons of cars, sounds of gym and street vendors, thus transforming the sound recording in a new way of seeing a sound.

En Radio UNAM, contamos con la propuesta sonora de Rodrigo Sigal, músico y director del Centro Mexicano para la Música y las Artes Sonoras.
Rodrigo Sigal trabajará con materiales seleccionados de la convocatoria Resonoser, la cual fue coordinada para este Encuentro por Emiliano López Rascón, José Iges y Pedro López.

In Radio UNAM, we have the sound proposal of Rodrigo Sigal, musician and director of the Mexican Center for Music and Sound Arts (CMMAS) in Morelia.
Rodrigo Sigal will work with selected materials of the Resonoser call, which was coordinated for this meeting by Emiliano López Rascón, José Iges and Pedro López.

Esta Radioperformance tuvo lugar el 4 de Octubre de 2012 dentro del encuentro RESONANTES, Primer Encuentro Iberoamericano de Arte Sonoro en Radio, en los jardines de la Fonoteca Nacional de México, y en el marco de la 9ª Bienal Internacional de Radio de México.

Formaba parte del proyecto de creación colectiva Resonoser y consistía en la mezcla y espacialización en vivo en el jardín de la Fonoteca Nacional por parte de Pedro López de las señales procedentes de tres emisoras Radio UNAM, UAM e IBERO 90.9 radio en las que los artistas Mauricio Prieto Muriel, Rodrigo Sigal y Hernan Risso Patrón emitían sendas obras, producto a su vez de la mezcla de los archivos obtenidos a través de la convocatoria Resonoser.

This Radioperformance took place in October 4th, 2012, within
RESONANTES, I Ibero-American Meeting of Sound Art in Radio, in the garden of the Fonoteca Nacional of Mexico, within the framework of the 9th International Biennial of Radio of Mexico.

It was part of the collective project Resonoser, and it consisted in mixing and spatializing live in the garden of the Fonoteca Nacional by Pedro López signals coming from three stations: Radio UNAM, UAM Radio and Ibero 90.9 in which the artists Mauricio Prieto Muriel, Rodrigo Sigal and Hernan Risso Patrón-Agustín Peña broadcast new works, product at the same time of the mixture of files obtained via the Resonoser call.

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This Radioperformance took place October 4, 2012 within the RESONANTES meeting, first Ibero-American meeting of art sound in Radio, in the gardens of the Fonoteca Nacional Mexico.

It was part of the collective project Resonoser and consisted of the mixture and spacialization in live in the garden of the Fonoteca national by Pedro López of the signals from three stations Radio UNAM, UAM and IBERO 90.9 radio in which Mauricio Prieto Muriel, Rodrigo Sigal and Hernan Risso Patrón artists broadcast three new works, in turn from the product mixture of files obtained via the Resonoser call.

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